The Last Céilí is built to travel lightly and adapt to a wide range of spaces. It can sit comfortably on a proscenium stage, in a studio theatre, a black box, a concert hall, or a church hall, provided the audience can gather close to the performers. The staging is centred on a long kitchen table, live music, simple light, and direct address, so the work does not depend on large scenic infrastructure. This flexibility allows the show to retain its intimacy and energy in both formal theatres and community rooted spaces, where the céilí form can feel especially alive.