The Last Céilí draws on eyewitness accounts, letters, songs, folklore and historical testimony from the famine years. These voices are not used as background. They shape the emotional and dramatic world of the performance. The research draws on the National Folklore Collection, the Irish Traditional Music Archive, contemporary reports and accounts of migration and leave taking. Further source material is available as part of the project’s research archive.

"A mother, herself in fever, was seen the same day to drag out the corpse of her child, a girl about twelve, perfectly naked, and leave it half covered with stones. In another house, within 500 yards of the cavalry station at Skibbereen, the dispensary doctor found seven wretches lying, unable to move under the same cloak, one had been dead for many hours, but the others were unable to move themselves or the corpse."


“A poor forlorn girl, hearing that her mother was seized with cholera, hastened to the rescue, alas! too late, but with a deep religious and filial devotion, desiring at least a decent interment for her dear departed parent, was driven to the shocking necessity of carrying the corpse upon her own back for three long miles to this very union, so that she might make her wants known, and simply obtain a coffin from the relieving officer."